Wrestling with words
Jun. 11th, 2024 10:06 amHm. I guess really the point here is that I don’t know what story I want to tell anymore. More to the point, I don’t know what I want to write about. I haven’t known for a long time. Demonologue feels… far away. Unattainable, unwritable as I am right now.
I don’t know how else I’m supposed to trick myself into writing than to just do it every day, but the demoralization of it not being any good is the opposite of the dopamine that makes it worth it. So quit complaining I guess? This is the same argument I’ve had with myself for going on years now. And the answer–sorry, excuse– I give myself is that there will be some magical future point when everything will be correctly arranged, inside and outside of my brain, to make writing suddenly Easy And Fun Again.
And I think part of me is raging against the very real fact that that is not my fate. I’m the one who has to make it Easy And Fun Again to write. And the more time has gone on, the more I have let that muscle atrophy, so that it gets harder and harder and the amount of time between the drudgery of starting and when it feels Okay Again gets longer and longer.
My relationship with writing is, unfortunately, a victim of all of our brains’ enslavement to nostalgia. As much as I hate to say it. I want things to be like they were; I know they can’t be, and that pain is stopping me from starting again.
I blew a lot of wind about repairing my relationship with writing, and I’ve come around to the conclusion that I can’t really do that any other way than to just. Write.
I’m scared about what may happen in November, and I’m worried that voices like mine will continue to be silenced, even more than they already are. But that’s not now, and they can’t stop me from writing. So far. So I should write.
It’s not that there’s nothing I want to say. There is PLENTY I want to say. So I should go about the work of saying it. Even if it takes me a few tries to get the music of it right, because I know that we, the universe, is made of music. The universe hums; the universe sings. Thus, we are songs. Matter is really energy condensed into a slow vibration; we are all one consciousness experiencing itself collectively there is no such thing as death life is only a dream and we are the imagination of ourselves. Here’s Tom with the weather.
Think for yourself. Question authority. Think for yourself. Question authority. Think yourself. Question authenticity. Unthink yourself. Unself yourself. Understand that information is not knowledge; knowledge is not understanding; understanding is not wholeness. Is not going to get at that slow and waiting hum at the edge of all things that is the song and zing of atoms and poetry.
Everything needs everything; this is necessary. We are necessary because we, unselfed and open-minded and knowing-not-knowing, learn the universe to itself. Whether you believe that or not. Life is not necessary just as knowledge is not necessary. Do we call what the roach knows knowledge? Yet it persists. Life is persistent, insistent in its unnecessity. It is an open-mouthed shout of triumph: yes, yes, I am here! And I know! I know I don’t know! Yes, everything is confusion and that is the low and persistent hum of circling electrons that moves the paw and finger and root and soul. That is the necessary of it: the unbeing, the unbecoming, so that you can need everything and not get lost in craving. Everything you need needs you; you and everything are the same; root and rind. Skin and skitter. Ground and god. Song and scream.
“The fiction will see the real/ the answer will question still.” I love this couplet because it is just that: a couplet, containing two dualities which are often thought as opposites. But they’re not. We’ll get to that a bit later.
I am drawn toward dualities and binaries. This is the way I am. Often it’s a limitation on my thought and causes internal strife, because it forces me into an all-or-nothing, this-or-that frame of mind and set of choices. Which makes me feel like someone has dual swords crossed at my throat, and no matter which way I shy, I will be blooded.
It makes me feel trapped, which is the central terror of my character.
Thus, like with most of us, my internal climate is both seed and nourishment of my most dehumanizing terror.
For all the thought and time and words I’ve spent on why my fear is a cage and why my eyes are lensed to focus on agents of that terror, I don’t have good or complete answers. I may never. At this point in my life, I don’t know if even finding the answers will help me that much. It’s good to know where you came from, because it helps you understand who you are. But how much of my time do I want to spend gazing deeper and deeper into my navel? Until I’m eyeball deep in my own pulsing guts? I don’t want to go through the rest of my life hunched over like that. This life demands more steel in my spine than that.
The way you kill weeds is to pull them up by the roots, not just cut off their stems. But my point is, weeds don’t exist. The concept of a weed– a thing whose pure existence is undesirable or at odds with a planned purpose– is false at best and lethally anthropocentric at worst. At least in the biome of my mindbody, everything that could be called a weed is not a weed, because even though I may not like it, it’s there, and by the unblemished, unblamed fact that it is there, it is a part of me. It is a note in the song of me.
So then, the question-answer becomes this: how to bring this note into harmony with the rest of me. I am not giving up on Becoming; I am simply replacing an exorcism with an embrace. We are both the ghost and the thing haunted; this I have believed since I was a child. Each of us has our own way of quieting our ghosts, and whether you see them as weeds growing in your internal garden or ghosts haunting the house in your head, my answer-question is the same:
Learn to live with them. Learn to live well with them; learn to live with them well. Learn what you must do to give them space, give them grace, and speed their stillness when they become rowdy.